| Pro Tips for Getting Really Sharp Photos: If Your Photos Aren't Sharp, the Rest Doesn't Matter | p. 1 |
| The Real Secret to Getting Sharp Photos | p. 2 |
| The Other Most Important Secret | p. 3 |
| Perhaps Even More Important Than That! | p. 4 |
| If You Skip This, Throw Away Your Camera | p. 5 |
| If You Do This Wrong, It Will Lock Up | p. 6 |
| It's Time to Get Serious | p. 7 |
| Getting "Tack Sharp" Starts with a Tripod | p. 8 |
| A Ballhead Will Make Your Life Easier | p. 9 |
| Don't Press the Shutter (Use a Cable Release) | p. 10 |
| Forgot Your Cable Release? Use a Self Timer | p. 11 |
| Getting Super Sharp: Mirror Lock-Up | p. 12 |
| Turn Off Vibration Reduction (or IS) | p. 13 |
| Shoot at Your Lens' Sharpest Aperture | p. 14 |
| Good Glass Makes a Big Difference | p. 15 |
| Avoid Increasing Your ISO, Even in Dim Light | p. 16 |
| Zoom In to Check Sharpness | p. 17 |
| Sharpening After the Fact in Photoshop | p. 18 |
| Pro Sharpening | p. 19 |
| Hand-Held Sharpness Trick | p. 20 |
| Getting Steadier Hand-Held Shots | p. 21 |
| Shooting Flowers Like a Pro: There's More to It Than You'd Think | p. 23 |
| Don't Shoot Down on Flowers | p. 24 |
| Shooting Flowers with a Zoom Lens | p. 25 |
| Use a Macro Lens to Get Really Close | p. 26 |
| Can't Afford a Macro? How 'bout a Close-Up? | p. 27 |
| When to Shoot Flowers | p. 28 |
| Don't Wait for Rain-Fake it! | p. 29 |
| Flowers on a Black Background | p. 30 |
| Shooting on a White Background | p. 31 |
| The Perfect Light for Indoor Flower Shots | p. 32 |
| Where to Get Great Flowers to Shoot | p. 33 |
| Stopping the Wind | p. 34 |
| Shooting Weddings Like a Pro: There Is No Retaking Wedding Photos. It's Got to Be Right the First Time! | p. 37 |
| The Trick for Low-Light Shooting in a Church | p. 38 |
| Getting Soft, Diffused Light with Flash, Part 1 | p. 39 |
| Getting Soft, Diffused Light with Flash, Part 2 | p. 40 |
| Use Your Flash at Outdoor Weddings | p. 41 |
| Keep Backup Memory Cards on You | p. 42 |
| Formals: Who to Shoot First | p. 43 |
| Formals: Where to Aim | p. 44 |
| The Trick to Keeping Them from Blinking | p. 45 |
| Reception Photos: Making Them Dance | p. 46 |
| Your Main Job: Follow the Bride | p. 47 |
| Formals: How High to Position Your Camera | p. 48 |
| Formals: Don't Cut Off Joints | p. 49 |
| Formals: Build Off the Bride and Groom | p. 50 |
| Formals: The Trick to Great Backgrounds | p. 51 |
| Shooting the Details (& Which Ones to Shoot) | p. 52 |
| Change Your Vantage Point to Add Interest | p. 53 |
| Finding That Perfect Bridal Light | p. 54 |
| How to Pose the Bride with Other People | p. 55 |
| What to Shoot with a Wide-Angle Lens | p. 56 |
| Back Up Your Photos Onsite | p. 57 |
| If Shooting JPEGs, Use a Preset White Balance | p. 58 |
| Shooting Landscapes Like a Pro: Pro Tips for Capturing the Wonder of Nature | p. 61 |
| The Golden Rule of Landscape Photography | p. 62 |
| Become Married to Your Tripod | p. 63 |
| Shoot in Aperture Priority Mode | p. 64 |
| Composing Great Landscapes | p. 65 |
| The Trick to Shooting Waterfalls | p. 66 |
| A Tip for Shooting Forests | p. 67 |
| Where to Put the Horizon Line | p. 68 |
| Getting More Interesting Mountain Shots | p. 69 |
| The Trick for Warmer Sunrises and Sunsets | p. 70 |
| Turn on "The Blinkies" to Keep More Detail | p. 71 |
| How to Avoid the Dreaded Blinkies | p. 72 |
| How to Show Size | p. 73 |
| Don't Set Up Your Tripod. Not Yet | p. 74 |
| The Trick to Getting Richer Colors | p. 75 |
| What to Shoot in Bad Weather | p. 76 |
| Atmosphere Is Your Friend | p. 77 |
| Getting Rid of Lens Flare-The Manual Way | p. 78 |
| The Landscape Photographer's Secret Weapon | p. 79 |
| Keeping Your Horizons Straight | p. 80 |
| Shooting on Cloudy Days | p. 81 |
| Tips for Shooting Panoramas, Part 1 | p. 82 |
| Tips for Shooting Panoramas, Part 2 | p. 83 |
| Tips for Shooting Panoramas, Part 3 | p. 84 |
| Faking Panoramas | p. 85 |
| Why You Need a Wide-Angle Lens | p. 86 |
| Shooting Wildlife? Aim at Their Eyes | p. 87 |
| Don't Crop Wildlife in Motion Too Close | p. 88 |
| Shooting Wildlife? Get in Really Tight | p. 89 |
| What to Shoot at Sunset | p. 90 |
| Shooting Sports Like a Pro: Better Bring Your Checkbook | p. 93 |
| Set Your White Balance for Indoor Sports | p. 94 |
| Shoot at a 1/640 Sec. Shutter Speed or Faster | p. 95 |
| Pro Sports Shooting Is Dang Expensive | p. 96 |
| Don't Plan on Changing Lenses | p. 97 |
| Which Lenses to Use | p. 98 |
| Pre-Focus to Get the Shot | p. 99 |
| Raise Your ISO to Get the Speed You Need | p. 100 |
| The Pros Know the Game | p. 101 |
| Don't Always Focus on the Winner | p. 102 |
| Shooting in Burst Mode | p. 103 |
| Stability for Shooting Sports | p. 104 |
| Shoot Vertically for More Impact | p. 105 |
| Pan to Show Motion | p. 106 |
| Shoot Wide Open | p. 107 |
| Go for the Face | p. 108 |
| RAW or JPEG for Sports Shooters? | p. 109 |
| Composing for Sports | p. 110 |
| Shooting People Like a Pro: Tips for Making People Look Their Very Best | p. 113 |
| The Best Lens for Portrait Photography | p. 114 |
| Which Aperture to Use | p. 115 |
| Using Seamless Backgrounds | p. 116 |
| Using Canvas or Muslin Backgrounds | p. 117 |
| The Right Background Outdoors | p. 118 |
| Where to Focus | p. 119 |
| Where to Position Your Camera | p. 120 |
| Positioning Your Subject in the Frame | p. 121 |
| Tip for Framing Portraits | p. 122 |
| Getting Great Light Outdoors | p. 123 |
| Getting Great Light Indoors | p. 124 |
| Taking Great Photos of Newborn Babies | p. 125 |
| Great Sunset Portraits | p. 126 |
| Better Natural-Light Portraits with Reflectors | p. 127 |
| Avoiding Problems Like a Pro: How to Avoid Digital Headaches | p. 129 |
| Pro Tips to Avoid White Balance Problems | p. 130 |
| Cold Weather Shooting Means Extra Batteries | p. 131 |
| Don't Change Lenses in Dusty Weather | p. 132 |
| Apply for Permits to Shoot with Your Tripod | p. 133 |
| Be Careful What You Shoot | p. 134 |
| A Tip for Shooting on an Incline | p. 135 |
| The Other Reason Pros Use a Lens Hood | p. 136 |
| Keeping Your Lens Out of Trouble | p. 137 |
| Back Up Your Photos in the Field | p. 138 |
| Limit Your LCD Time to Save Battery Life | p. 139 |
| Be Careful When Throwing Out CDs/DVDs | p. 140 |
| Bracket If You're Not Sure About Exposure | p. 141 |
| Avoid Red Eye | p. 142 |
| Remove Red Eye | p. 143 |
| Taking Advantage of Digital Like a Pro: It's More Than Just a Replacement for Film | p. 145 |
| Level the Playing Field: Press That Button | p. 146 |
| Put the LCD Monitor to Work | p. 147 |
| Edit as You Shoot to Get More Keepers | p. 148 |
| Take Advantage of the Blinkies | p. 149 |
| Change Your ISO on the Fly | p. 150 |
| No Penalty Fee for Experimenting | p. 151 |
| Don't Cram Too Much on One Card | p. 152 |
| Take Advantage of Poster-Sized Printing | p. 153 |
| You Can Make One Film Fit All | p. 154 |
| Is It Better to Underexpose or Overexpose? | p. 155 |
| Keep from Accidentally Erasing Memory Cards | p. 156 |
| Taking Travel & City Life Shots Like a Pro: Tips for Urban Shooting | p. 159 |
| How to Be Ready for "The Shot" | p. 160 |
| Shoot Kids and Old People. It Can't Miss | p. 161 |
| Hire a Model (It's Cheaper Than You'd Think) | p. 162 |
| What Time to Shoot | p. 163 |
| Look for Bold, Vivid Colors | p. 164 |
| Shooting Travel? Visit PhotoSecrets.com First | p. 165 |
| Don't Try to Capture It All: Shoot the Details | p. 166 |
| The Best Shot May Be Just Three Feet Away | p. 167 |
| Shoot the Signs. You'll Thank Yourself Later | p. 168 |
| Showing Movement in the City | p. 169 |
| Use an Aperture That Takes It All In | p. 170 |
| For Maximum Impact, Look for Simplicity | p. 171 |
| The Monopod Scam | p. 172 |
| What to Do When It's Been "Shot to Death" | p. 173 |
| Including the Moon and Keeping Detail | p. 174 |
| Shooting Fireworks | p. 175 |
| How to Print Like a Pro and Other Cool Stuff: After All, It's All About the Print! | p. 177 |
| The Advantages of Shooting in RAW | p. 178 |
| How to Process RAW Photos in Photoshop | p. 179 |
| Compare Your LCD to Your Computer Monitor | p. 180 |
| Organizing Your Photos with Lightroom | p. 181 |
| How Many More Megapixels Do You Need? | p. 182 |
| Printing Lab-Quality 8x10s | p. 183 |
| Printing Lab-Quality 13x19" Prints | p. 184 |
| Printing 16x20s-The Pros'Top Choice | p. 185 |
| Which Paper Should You Print On? | p. 186 |
| What Determines Which Paper You Use? | p. 187 |
| Getting Your Monitor to Match Your Printer | p. 188 |
| Download the Color Profiles for Your Paper | p. 189 |
| Selling Your Photos as "Stock" Online | p. 190 |
| A Quick Peek at My Gear | p. 191 |
| Some Books I Personally Recommend | p. 192 |
| Learn from Me on Adobe Photoshop TV | p. 193 |
| Photo Recipes to Help You Get "The Shot": The Simple Ingredients That Make It All Come Together | p. 195 |
| Index | p. 211 |
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